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If I ever lament not having a label, I need to be slapped.
It is really badass to be able to say to anyone, "sure, you can use my music for free for this project" and not have to ask permission from a single other soul.
i have. if they offered the option to decline being licensed by objectionable companies, i would do it in an instant.
I'll forward that suggestion to John, the owner. Email me if you want to be in direct contact. His email isn't hard to guess, though.
Thank you so much! I think I've made this request before, via John Zorko (Falling You) but it doesn't hurt to ask again.
And frankly I probably should go ahead and do it anyway... I just hate it when bands complain that their music is being used for an ad, when they did nothing to prevent that use.
i thought it was bad that UMG doesn't allow embedding! haha.
Wow, it's almost like record labels are a bunch of useless rent seeking anachronisms who cannot adapt their business plan to new technology or something. Edited at 2008-12-24 10:06 pm (UTC)
Publishers have always offered artists a Faustian bargain: a little certain wealth and a huge probability of either utter neglect or getting screwed or both, unless luck out, in which case you get a little more wealth, a tiny fraction of what you raise, and screwed.
![[User Picture]](http://l-userpic.livejournal.com/93180031/1232513) | From: jwm Wed, 24-Dec-2008 10:16 PM (UTC)
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Back in the eighties the local branch of the music industry protection racket told TVNZ, then New Zealand's only TV broadcaster, that they'd have to start paying royalties. TVNZ told them they'd have to start paying advertising rates. They had a stand off for several months until whichever label Queen was on decided that they really needed to promote the soundtrack for Highlander and bought a whole advertising segment to play ‘It's a Kinda Magic’. Then sanity was restored.
I give them about a month to work out that they've just taken a hammer to the knees of their bottom line...
I was looking for an AP video just five minutes before I saw this post so at least now I know what everything's gone missing.
![[User Picture]](http://l-userpic.livejournal.com/32335810/504569) | From: waider Thu, 25-Dec-2008 12:17 AM (UTC)
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In the comments on Palmer's blog: A sad day for youtube DJs everywhere. youtube DJs? Is that some sort of lower lifeform than the laptop-toting mp3-playing types?
Note to self, start bringing in gadges to jam wifi in bars and see if the music suddenly cuts off and the douchebag behind the macbook suddenly starts panicking.
Sometimes when I;m looking for music videos on YouTube, I'll see some people who collected a bunch of vids as a playlist for an entire album. I guess that's their way of getting music.
![[User Picture]](http://l-userpic.livejournal.com/5887295/515656) | From: jwz Thu, 25-Dec-2008 8:05 PM (UTC)
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I guess here in the TWENTY-FIRST CENTURY that's what the kids do instead of holding a cassette recorder up to the speaker on the teevee.
Won't somebody think of the children?
I actually bought a dresden dolls album after watching some of their videos on youtube. Most of the albums I buy come from exposure to the performer's material for free on t'internet.
It's daft.
I tested the theory posited at the end of NYTimes article that people would just go to MySpace or AOL to get videos. AOL scratched up 6 Amanda Palmer videos, a subset of what is available even on iTunes, and far less than was on youtube. Navigating AOL site is also like surfing through quicksand. Her MySpace now has no video, as well, because it embeds now defunct youtube videos.
From: numbsafari Sun, 28-Dec-2008 12:09 AM (UTC)
No worries, comcast ruined for me first... | (Link)
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As a citizen of a Comcast monopoly zone, I can safely say that Comcast has already so over hobbled YouTube bandwidth that I do my best to avoid watching anything on YouTube at this point. It's painful.
So, it's all good. Nobody wants you to see these videos or hear this music anyway. They want you to pay your bills, listen to their ads and then STFU. | |